![]() ![]() Estas imágenes recogen los registros de un proceso de trabajo, con una renuncia deliberada del uso de Photoshop o cualquier tipo de retoque digital. Pero estos montículos de formas globulares están lejos de proceder deuna probeta de laboratorio. que parecen ser observados a través de avanzados medios ópticos de alta tecnología. La serie fotográfica Cellular limbo examina el mundo de los entornos microscópicos y celulares, el comportamiento de los microorganismos, los mecanismos orgánicos, etc. The variations in the temperature of the colours and the codes, with a typography with a highly standardised appearance (Arial), are also reminiscent of pantone colour guides for house paint, thus establishing a parallel with the standardisation and limitation of what comes from mechanical-industrial repetition and manufacture. The composition directly alludes to the lay-out of image banks and to the separation and grouping by thematic blocks. The caption is a code, together with a title identifying the series, followed by the artist’s surname. The photographs have a white band at the bottom. The strategically placed lights and the evocative features of the material employed are the only resources used in creating this work endowed with a wet crystal-like feel. They are the records of a working process, with a deliberate renunciation of Photoshop or any other digital retouching. ![]() But these balloon-like mounds are far from coming from any lab test tube. ![]() The photographic serie Cellular limbo looks at the world of the microscopic, cellular environments, the behaviour of microorganisms, organic mechanisms… which appear to be seen as if through advanced hi-tech optical media. CELL PEARLS // serie of 40 // sizes range from 30 cm x 30 cm to 150 x 110cm / 2008-2011 ![]()
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